UK Parliament / Open data

Ivory Bill

I am sorry it is me again but I feel strongly about these things. In my two amendments and the one tabled by the noble Baroness, Lady Quin, we are looking at music and musical instruments. I was encouraged to take an interest in this because of the admirable, although brief, speech that my noble friend—that is what I am going to call him—Lord Berkeley made at Second Reading. He indicated that,

here again, the ivory happens to be the material but it is incidental. People do not buy a particular violin, a particular piano or set of Northumbrian pipes—I shall give the noble Baroness, Lady Quin, a trail, because I do so agree with her—because of the ivory content. Nevertheless, the ivory content is integral and is important.

I had representations only last week about bows. I was told things that I did not necessarily know. The small piece of ivory in a bow for a stringed instrument—a violin, cello or whatever—can be less than 1% and is gradually being replaced, through wear, with plastic in the cheaper ones, or permafrost mammoth. There was a quite preposterous suggestion at Second Reading that we should outlaw the use of ivory from mammoth, which have been extinct for millennia—God help me. My correspondent goes on to say that requiring all extant bows to be registered with Defra, and a de minimis rule, will swamp both Defra and the other offices concerned. She points out that there are 30,000 members of the Musicians’ Union in this country, the vast majority of whom make their profession from the use of bows. New legislation would make it difficult for them to tour with their bows or to sell them.

If the 30,000 professional musicians are not a sufficient concern, consider the amateurs. Consider how often, in this House, Members in all parts get up and lament what is happening to music in schools. We are dealing here with something where the ivory content is not only incidental, it is insignificant. We cannot have a situation where not only the artistic heritage of our country is put at risk but the musical heritage as well. I have suggested in Amendment 24 that we should put the content up from 20% to 30% and I hope we will be able to debate that in greater detail on Report. I stress that Amendment 26A is the most modest proposal of all—and I do not mean that in the sense of Jonathan Swift. Again, I beg and urge my noble friend to show some sympathy, as a man who, I believe, loves music, and recognise that we are not doing anything here that could conceivably endanger any living elephant. I beg to move.

About this proceeding contribution

Reference

792 cc2162-3 

Session

2017-19

Chamber / Committee

House of Lords chamber

Legislation

Ivory Bill 2017-19
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