My Lords, I support this Bill, the arguments for which the noble Lord, Lord Clement-Jones, has set out so expertly and comprehensively. This is a modest and reasonable Bill, yet one significant for those who will be directly affected by this change, as well as for local communities and the public at large. The Bill is reasonable in that, in one sense, it does no more than iron out an inconsistency that exists in the current legislation.
Like the noble Lord, this problem came to my attention via the campaigning group, the Manifesto Club, which has a particular sensitivity towards how the loss of civil liberties affects the arts. The arts are as much a valid means of expression as the expression of political and religious views which, with regards to leafleting, are exempted by the 2005 legislation. Indeed, as the Minister will no doubt be aware, there is often in practice considerable overlap between all three of these areas. At heart, this is a civil liberties issue before anything else, and it is worth emphasising that the present exemptions for leafleting are already the recognition of the principle of free speech and free expression. With the addition of cultural purposes, the noble Lord’s Bill correctly positions the missing part of the jigsaw puzzle.
By excluding arts and entertainment from the exemptions, the current law has in effect discriminated against the arts, and in a very real way. It is perhaps all too easy, in this age of the internet and social media, to greatly underestimate the continuing importance of leafleting for local and community events, which for many events is the prime means of advertising. It is
perhaps gratifying proof of the vibrancy, or potential vibrancy, of our public places and spaces that this is as true of the big city as of the village or small town.
As the noble Lord, Lord Clement-Jones, has outlined, there are clearly big problems everywhere that restrictions have been introduced. Cindy Oswin, London-based writer and director, says:
“I have worked for many years in small-scale theatre productions where the advertising budget is limited, so hands-on leafleting is necessary to reach a potential audience”.
Martha Littlehailes, chair of a music society in Hackney says:
“We are a tiny organisation and need the publicity that flyering brings”.
Outside London, Daniel James, conductor of an amateur orchestra in Manchester says that,
“publicising our concerts has been hampered by being unable to obtain a flyer licence”.
Elspeth Barnett of Eastbourne, who sings in a local choir, says that they leaflet people as they leave other concerts, or at farmers’ markets. Folk singer Derek Gifford leaflets events organised by local folk clubs in the north-west, all of which, he says,
“have limited budgets and would find difficulty in affording to pay licensing fees for such an activity”.
Independent music promoters have been particularly hard hit by the need for licences. Others make the point that it is a vicious circle in that you need the leafleting to build the audience, but you cannot afford the licence until you do so.
The fact is that leaflets or flyers are a low-cost alternative, which ought in straitened times to be an ideal solution for emerging artists and performers. There are also, of course, the instances of blanket bans on flyering, such as has happened controversially in Leicester Square in London, and in Liverpool, in some cases where the legal basis for such bans is more than dubious. Comedian Nick Doody has said of the Leicester Square ban that it,
“had an immediate, tangible and devastating effect on small and medium-sized comedy clubs in central London”.
Comedian Stuart Goldsmith has said that it,
“makes it impossible for smaller clubs to thrive, and penalises enterprise”.
I suggest to the Minister that the DCMS should be as much aware of this debate as Defra, and that he might pass that message on. Last month, we had a significant debate on the arts led by the noble Baroness, Lady Wheatcroft, in which a recurring theme was innovation and support for the arts at the grassroots level, so this debate is germane to that. The other point that the DCMS should be aware of is that we need to keep as much of an economic edge as possible in music, theatre and other areas. Any help that can be given at the grass-roots level will in the long run be hugely important to the economy.
The events most affected by these restrictions are those most integral to the local community and cultural scene, whereas the more commercial operations are able to pay for the licences but often have fewer local loyalties. The Minister will perhaps recognise that there is a significant distinction to be made between the highly commercial advertising of a high street chain and a leaflet telling you about events as varied as the
village fête, local choir event or folk or jazz night, which is often handed to you by one of the performers themselves. Additionally, the informality and spontaneity of many local cultural events also make them unsuitable for licences which may have complicated tariffs as well as being prohibitively expensive—an expense whose payment has to be decided upon well in advance. These licences are overkill. We are not talking about major pop concerts. The modest audience cap of 600 included in the Bill ensures that this is so. These events are often run on a not-for-profit basis or on a tight budget which may help artists, comedians, musicians, writers and others at the beginning of their careers. As Josie Appleton, director of the Manifesto Club, says:
“We have a strong tradition of pamphleteers in this country who would be turning in their graves if they could see theatre groups charged hundreds of pounds to hand out a few flyers”.
It should be borne in mind that leaflets are not litter until they are discarded, and strategically placed bins ought to do that job. Indeed, far from being mere pieces of litter, flyers can also be an extension of an event aesthetically. This can be particularly true of music events, just as CD covers are for CDs. Emma Webster, expert on live music promotion, states:
“As well as being portable information carriers … flyers form part of the promoter’s ‘branding’ of an event through their design and distribution. The design of flyers … can be an important signifier as to the nature of the event, and is an opportunity for the promoter to creatively market their event”.
Anyone who has attended any of the music memorabilia auctions in recent years will know how much the promotional material for now famous bands will go for, and often by designers such as Jamie Reid who have themselves become well known through this work, all of which started at local venues. Flyer and poster design is an industry in this country in its own right and public spaces are their gallery. It is ironic that at a time when this work is being shown in museums, its contemporary practitioners are effectively being banned by so many local authorities.
Finally, within the larger context surrounding this Bill, the long-term crucial question which needs to be asked is: what should we be now be expecting and demanding of our urban centres? Clare Fischer, artistic director of The Red Hedgehog arts centre at Highgate, makes the point:
“Arts and local events provide a kind of cultural and social ‘glue’ which is vitally important in providing and maintaining a shared identity in the community”.
Do we want our public places to become increasingly prohibitive in character, or do we facilitate them as properly shared spaces? For that to happen, of course, they must also remain publicly owned and within a local authority control that is dedicated to the public good above all else. In an era of council sell-offs and partnerships, a question mark hangs over this. However, that is going beyond the scope of this Bill, being a debate for another time, although one that is urgently required.
I do not believe that the previous Administration intended to penalise either the arts or local communities when they passed the 2005 legislation. I think rather that it was an oversight which all sides of the House can now easily work together to rectify. I hope very much that that is what will happen.
11.33 am